Omori, on the other hand, is stuck in his stupid brain. He entered White Space by himself, and from there on out it was all a downward spiral. Irritatingly enough, though, the Dreamer’s will had separated from his own. See, the Dreamer was never supposed to see the truth. Only a day later, Omori feels as though he may have miscalculated. It just makes it a little bit sweeter when he sinks the knife in. Whatever! Omori can deal with some setbacks. Or, it would be if he didn’t immediately merge with the Flower Boy in some last ditch attempt to destroy all of Omori’s hard work. Him telling the Dreamer to face the truth point blank is the last straw. Maybe this is karma for splitting Basil’s more uncontroversial aspects from the rest of him. The Stranger is distinctly more judgemental than the Flower Boy, though, in a way that makes Omori feel… itchy. Omori tries his best to prevent the Dreamer from learning the Truth, though this often results in murder-but hey, Flower Boy knew what he was doing, right? He knew the consequences. Taking a backseat through Black Space isn’t fun. Omori’s never been a fan of the Flower Boy, or his shadow, or whatever it was that came before this experience isn’t exactly driving them up in his estimation. Amazing, and now he’s insulting the interior design too. “These rooms… are full of broken things…” the Stranger begins, which is when Omori promptly tunes out. If Omori wasn’t under the Dreamer’s control right now, he’d kill him where he stood. First he calls Omori bulbous, and then he traps him in Black Space? Uncalled for.
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